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PRISM Quartet is pleased to offer Animal, Vegetable,
Mineral, a new concerto grosso for saxophone quartet
and orchestra by the renowned American composer Steven Mackey,
commissioned with support from the Rockefeller Foundation, the Presser
Foundation, Meet the Composer and the National Endowment for the
Arts. AVM, which represents Mackey’s
third concerto grosso and his first work for saxophone quartet,
is approximately 25 minutes in length and is available for the 2007-08
season. Engagement inquiries may be directed to Joanne Rile of Rile
Artists Management at (215) 885-6400.
This
collaboration is particularly unique, as Mackey has created an alternate
chamber music version for saxophone quartet alone. PRISM gave the
world premiere of this version of AVM
in November 2004 at New York City’s Symphony Space, followed
by performances in Philadelphia and Ann Arbor (see
concerts page).
Steven Mackey’s work demonstrates a fascination
with and respect for American vernacular culture and fuses a stunning
breadth of musical influences. Mackey’s idiom, a multi-layered
world of rhythm and sonority, draws its expanded harmonic palette
from western art music, its wit and vivacity from the imaginative
transformation of popular music elements.
His many commissions to date—among them
works for the Chicago and San Francisco Symphonies, the Los Angeles
Philharmonic, the Kronos Quartet, the Borromeo String Quartet, Bill
Frisell and Joey Baron, and cellist Fred Sherry—blend classical
forms with innovative sonic textures. Mackey’s orchestral
works display consummate skill in their handling of instrumental
color and texture. Of the world premiere of Tilt by the
American Composers Orchestra in 1992, Tim Page of Newsday wrote:
“One was reminded of a radio caught between frequencies: timbres
bang and shimmer, there are arpeggios and teasing references to
musical cliches, and despite some occasional violent fortissimos,
the mood throughout is lithe, subtle and more than a little playful.
Anything can happen—and most of it does.”
The Mackey commission builds on the PRISM Quartet’s
previous success in presenting a concerto grosso by Pulitzer Prize
winner William Bolcom. Since the world premiere of Bolcom’s
Concerto Grosso with the Detroit Symphony Orchestra in
October 2000, PRISM has performed the work to critical acclaim and
packed houses with 18 orchestras, including the Cleveland and Dallas
Symphony Orchestras.
To Participate
Engagements to perform Mackey’s new concerto grosso with the
PRISM Quartet, or to present the chamber version of Animal,
Vegetable, Mineral, can be secured through Joanne
Rile Artists Management, 215-885-6400 phone, joanner@rilearts.com.
Because the PRISM Quartet is a roster artist of
Pennsylvania Performing Arts on Tour (PennPAT), orchestras and presenters
in the ten-state mid-Atlantic region (Delaware, Maryland, New Jersey,
New York, Ohio, Pennsylvania, Virginia, West Virginia, Washington
DC and the US Virgin Islands) are eligible to apply for grants to
fund up to 50% of PRISM’s artist fees. For more information,
visit www.pennpat.org,
or contact Katie West, Director of Pennsylvania Performing Arts
on Tour at 215-496-9424.
Steve Mackey Biography (download
full bio)
Steven Mackey (b. 1956) has established himself as one
of the most gifted and original American composers to emerge during
the 1990s. His early training in performance was as a classical
and electric guitarist and Baroque lutenist. His studies culminated
in a Ph.D. in composition from Brandeis University. Mackey is now
Professor of Music at Princeton University, where he has been a
member of the faculty since 1985.
As a composer, Mackey has been honored by numerous
awards including a Guggenheim Fellowship, a Charles Ives Scholarship
from the American Academy and Institute of Arts and Letters, two
awards from the Kennedy Center for the performing arts and in 1995
he was given the Stoeger Proze for Chamber Music by the Chamber
Music Society of Lincoln Center. His Indigenous Instruments
was selected to represent the U.S. at the International Rostrum
of Composers in Paris in 1990. Mackey has been the composer in residence
at numerous music festivals and will be the featured composer at
the 2003 Holland festival in Amsterdam. Among his commissions are
works for the Chicago and San Francisco Symphonies, the Los Angeles
Philharmonic, the Kronos Quartet, the Koussevitzky Music Foundation
in the Library of Congress, the Fromm Foundation, the Borromeo String
Quartet, Bill Frisell and Joey Baron, and cellist Fred Sherry. Mackey’s
monodrama, Ravenshead for tenor/actor (Rinde Eckert) and
electro-acoustic band/ensemble (the Paul Dresher Ensemble), has
been performed nearly one hundred times and is available on CD.
In a year-end wrap up of cultural events, USA today crowned the
work “Best New Opera of 1998.”
Over the past decade Mackey has increased his
performance activities. Since 1998, he has performed Deal
for guitar and large chamber ensemble many times throughout Europe
and the U.S. In April 2000, he gave the premiere of Tuck and
Roll, a concerto for electric for guitar and orchestra, with
Michael Tilson Thomas and the New World Symphony with subsequent
performances in San Francisco at the American Mavericks Festival.
In 2002, Mackey will tour Europe with The British ensemble Psappha
in an all Mackey program.
In September of 2001, BMG/RCA released Mackey’s
first orchestral disc with the New World Symphony conducted by Michael
Tilson Thomas called Tuck and Roll. The disc includes Tuck and
Roll, Eating Greens, and Lost and Found.
The Brentano Quartet recorded a CD of Mackey’s string quartet
music for Arabesque Records in 2002. His music is published by Boosey
& Hawkes.
For Steve Mackey's Animal, Vegetable,
Mineral
concerto grosso orchestral engagements or
quartet-only recital engagements:
Joanne Rile Artists Management
801 Old York Road, Noble Plaza, Suite 212
Jenkintown, PA 19046-1611
215-885-6400 phone
215-885-9929 fax
joanner@rilearts.com 
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